POTEPUŠKI LETALEC IN MALI PRINC
Lahko umetniško delo v nas vzbudi otroško čudenje; nam omogoči, da svet spet uzremo skozi filter otroštva? Ta predelava znamenite pravljice Mali princ poskuša doseči prav to – s kostumi, ki so dejansko mikro svetovi, ki pripovedujejo zgodbe posameznih likov; ter z jezikom, ki nima pretenzije dokazovanja in razkrivanja vsega; ki ni jezik logike in dedukcije, ampak prenaša ”globoko noto”; tisto nekaj, česar ni mogoče izraziti z besedami. Saj veste: »Kdor hoče videti, mora gledati s srcem. Bistvo je očem nevidno.«
THE ERRANT AVIATOR AND THE LITTLE PRINCE
Can a work of art allow us to see the world again through the eyes and gaze of a child? This adaptation of the famous fairy tale The Little Prince attempts to achieve just that – with costumes that are actually micro-worlds that tell the stories of individual characters; and with language, which does not pretend to prove and reveal everything; which is not the language of logic and deduction, but conveys a ”deep note”; something that cannot be expressed in words. You know: “He who wants to see must look with the heart. The essence is invisible to the eyes.”
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